You should have some fun with this intro. It isn’t difficult, and all based on barre chords, except for the very first measure.

Here’s what it sounds like looped at the normal tempo of 120 bpm:
You should have some fun with this intro. It isn’t difficult, and all based on barre chords, except for the very first measure.

Here’s what it sounds like looped at the normal tempo of 120 bpm:

This song’s intro is an instrumental featuring the guitar. It helps make this blues song very unique. It’s not for the faint of heart, though. There are a few quick passages that may trouble some players.
In the video below I’ll play the entire intro for you:

There’s nothing fancy about the chorus to Hurt. The four-measure chord progression of G, Am, F, and G just repeats over and over. The strumming pattern is just straight eighth notes, but we’re not going to strum it with your standard up and down strumming. Watch the video lesson for the details:

This is a Vaughan rendition of a Willie Dixon song. The verses and bridge are 16 bars (or measures) long instead of the standard 12. It’s blazing fast too, at 184 beats
per minute. There is a heavy use of muted strings to create a percussive sound.


Take your time when learning this part. We want each note to ring out clearly.
We have four different chord formations here. Each formation lasts for half a measure or, in other words, 2 beats. We want each chord to ring out, so let each note that you pick ring out with the other notes in the chord formation.
For the first chord formation, place your 1st finger on the 5th fret and barre the D, G, B, and high E strings, then use your 3rd finger to fret the 7th fret of the D. Hold your 1st finger there as you’ll use it for the next 2 chord formations.
On the 3rd beat of the first measure, you’ll use your 3rd finger on the 7th fret of the high E string and your 2nd finger on the 6th fret of the D string. Yep, your 1st finger should still be barred across the D, G, B, and high E strings at the 5th fret.
In the 2nd measure, we have our 1st finger still barred across the 5th fret. The only other thing to do here is to fret the 8th fret of the high E string with our 4th finger (pinky). Make sure you have a strong barre here so that the chord rings together cleanly when fingerpicked.
In the 2nd half of the 2nd measure, we’ll shift our barre down from the 5th fret to the 2nd fret. Use the 3rd finger to fret the 4th fret of your D string and your 2nd finger to fret the 3rd fret of the B string.
Obviously, the short answer is “a lot of practice”, but if you develop bad habits you’ll be practicing it wrong.
A few key points:


Here is the riff with the suggested fingerings:

Now, it’s time to put it together! Practice playing both parts together.


This intro from Stairway To Heaven has been the butt of a few jokes over the years because it seemed that every time you went to the music shop someone would be hunched overplaying it.
Maybe you’ll remember the scene from the movie “Wayne’s World”:
The tail end of the riff changes when leading into the interlude. It’s just a two-note walk (A and B note) into what will be a C in the next measure (not shown).


