Verse

The riff itself isn’t difficult to play, but the moving chord arrangements are a little trickier. In this riff, you will need to know how to play a C chord, an Am chord, an Em chord, and finally a G chord. If you know how to play those, you can struggle through by just playing them in that order. What makes the riff interesting, though, is how he incorporates the chords into his strumming patterns. Notice that you will begin by placing a C chord, and then transitioning into the Am chord by walking the fret with your 2nd finger on the second fret on the “A” string. Notice that once you go into the Am chord, you will immediately let off of it and play the same strings open. You will do this a few times. As far as the timing, the only thing that may throw you off a little is the transitional phrasings from C to Am. Just think like it is a Bob Marley song, and allow your fingers to flow. After you have played the Am chord and transitioned into the Em chord, notice that you are not playing the typical G chord that you may have learned before. The note that you are playing is the root G note. That would be on the third fret on the “low E” string. Practice this song over and over, and you will hear how the chords are so simple, but add a great deal of depth to the overall sound.

Difficulty: Easy – Intermediate
The song is meant to be played on a 12-string, but you can still play it on your standard acoustic. Also note that there are a few times that you would technically need an electric for the lead guitar, but again you can play this song using only your acoustic. You just may have to alter a few tiny techniques to make it work. (Such as the tremolo dive, a FEW harmonics, etc.)

You’ll be repeating this 8 measure chord progression throughout the entire song.
The basic chord progression is G, B, C, Cm, but we’ll throw in a couple of suspended chords with the B and C chords that really add color. During the chorus, it’s played a bit differently, but the underlying chord progression stays the same.



This riff is in 4/4 time except for the 2nd measure in which we switch to 2/4 time (only 2 beats).
Notice that the 4th measure mirrors the 1st measure, but with the addition of bends. This is a typical Jeff Beckism. It may be tricky to get it to sound right because it relies on precise bending.



